This blog has reached the end of cake.
Catch you on the flipside!
May
7 years ago
...but it probably melts down to nothing.
First out was Paul Auster's Oracle Night. I have a thing for Auster, no need to dwelve into that again, but this book was not as good as some of the others I've read. Again he shows the astonishing ability his mind has to come up with story upon story upon story, but some of them never land. I want to know what happens to the guy in the shelter! Nevertheless it kept me entertained throughout.
Auster's Man in the Dark was next book out, and disappointingly it had a bit of the same problem. Don't get me wrong, both are still good books, they are just not _quite_ up there with what he can do. With this one I far preferred the initial spin on the story than the actual conclusion. Also, it's a bit too American for me, this one.
Christ, what a piece of sh*t book this was... I've even mooched it away since, that's how little I liked it. The story is thin, the characters inpossible to care for, and the end is simply a loose-end laughing matter. Where on earth critics get off calling this a gothic horror masterpiece is beyond me, they are probably friends of the author...
I should read The Time Traveler's Wife by Audrey Niffenegger which he had just read and loved. This book I have avoided buying at several occassions because other books have caught my attention more and I have for some reason boxed it away in the same category as The Observations (by Jane Harris, which was to be fair quite good in the end), but I had no real issues with wanting to read it. Good girl! Very lovely, this book. It managed to keep me fully alerted throughout the story, and I cried at the end. That very rarely happens with me and books, so ten thumbs up and just go ahead and read it. Florentin loved it too, if you're worried it's a girls' book. And once you've read it we can discuss the one thing I _didn't_ like about it, but I won't spoil it for you by writing it here.
While I read about time-hoppers, Florentin plowed through one of the books I brought with me, Let The Northern Lights Erase Your Name by Vendela Vida (neat name, huh?). This Finnish author living in America has written a story about a woman who follows her mother's history to the Sami areas of Finland and Norway, and by tracing her roots changes as a human being. Well... it's the first I've read by a Finnish author. I think that's about it. The main character did grow on me, but it took a long time and I still didn't get to love her enough for it to matter that the book ended. Ok'ish read, I'd say. It has a bit of a feministic twist to it that was quite interesting.
Sami stories gave way to Auster again. In The Country Of Last Things was the second of his novels I had with me on our roadtrip, and it didn't take me long to read. Here he's back with full force again, weaving his story in a straight, brutal line through an imagined city that may or may not exist not too far off in our future. If I could, I would happily have punched a couple of the characters the leading lady encounters along her way. Actually it's a shame this one wasn't longer.
In Zurich I found an English bookstore where I picked up Gaiman's Coraline, but I haven't started it yet. I also bought PopCo by Scarlett Thomas, the author of the previously hailed The End of Mr Y. I loved that one, and I loved this one. Similar in the manner of writing, the story is nevertheless quite different. Anti-corporation, pro-vegan, clever and funny, I'd definitely recommend it as a good read. I'd even say it might be the math version of Mr Y, which is more humanistic in it's twists and turns.
Today I finally finished Jane Eyre. After a couple of weeks of relentless social activity I took the afternoon to myself to sit down with the book in the sun and finish off this peculiar story. Although I am often puzzled at how little is taught of English classics in Nordic schools, I must admit there is a certain pleasure in being able to read books like this, Wuthering Heights and Sense and Sensibility without knowing how they will end.
Madame Bovary (the 1949 adaption) - Good, very good. What a horrible hag of a woman, though! Selfish to the end. Hoping for a fairytale ending my ass, what about taking responsibility for your own putrid actions?
La Dolce Vita - Ah, I hate Fellini. Sure, Ekberg was gorgeous, but this movie is just one big yawn of an exhausted attempt at being interesting.
Strangely enough Richard Marx' Greatest Hits have been the soundtrack of the last couple of days. Don't ask me why. Today I am giving Annie Lennox' Bare (2003) a listen. Have had it for years, but never listened to it before now. It's quite nice, I always liked her voice.
In addition to the long list of movies below I watched Singin' in the Rain this weekend. Hadn't seen it before, and unfortunately I have to say it disappointed me a little. I guess being a classic and all I assumed it would have something brilliant going for it, but most of the time it just annoyed me a little and I was happy to see it end. I think part of it is that the female actresses give me the creeps.
Over the last two days I've watched Gone With the Wind, also this for the first time. Now here we have, on the other hand, a proper classic. I love this movie. But the ending! What's up with that? And I don't think Scarlett is annoyingly spoiled, I think she's just confused and fighting like a cat to get a grip on her existence. Oh, and Miss von Teese must have had Vivien Leigh in mind when she perfected her public facade.
You, Me & Dupree has been passed over on numerous occassions as I'm not the biggest believer in the Wilson/Hudson combination. Quite harmless, of course, and surprisingly it did produce a number of laughs. Also, the soundtrack is at times interesting, so all in all a pleasant surprise.
Secretary, a study in submission with Maggie Gyllenhaal as the leading lady. The choice of lead actress in particular makes this movie enjoyable, as her voice and stature suits the role perfectly. The story deals with a self-cutter who replaces an addiction with another as she starts working as a secretary for a young lawyer with a penchant for ladies who do as they're told. Also, the soundtrack is put together by Angelo Badalamenti (of Twin Peaks/Mulholland Drive fame).
I also watched the film adaption of Alessandro Baricco's Silk. I've not read the novel, as his Without Blood almost bored me to death when I read it a year or so ago. Keira Knightley, pretty although she may be, does little to lift this film. I have difficulties with Michael Pitt after seeing him in Funny Games, so he didn't really work either. The two Asian ladies portraying the far-off ideal woman and the closer-at-hand prostitute, are quite lovely and add to the visual strenghts of the movie (because beautiful it is, no doubt about that). The dialogue is quite modified to portray a less erotic image to the movie goers. A shame.
The Island (Ewan McGregor and Scarlett Johansson) is another one of those movies that I've been passing over several times in my hunt for entertainment. Perhaps I should stop doing that, as this one again surprised me positively. It's kind of a mixture of Lost and Aeon Flux, and I even think Johansson did an ok figure. I must still be the only person on the planet who actually enjoy some of her songs but not really her movies, though. In fact, the best thing I've seen her in is Timberlake's video for What Goes Around Comes Around, and I suspect that to be mostly because the mood of the video reminds me of Bowie's The Heart's Filthy Lesson.
My Nights Are More Beautiful Than Your Days is a French piece of overly artistic crap from 1989 that is "deeply affecting" according to Rotten Tomatoes, "deeply disturbing, boring and shitty" according to me. Not worth the time it takes to watch it.
hooks up with a couple of French twins. Apparently it's a well known fact that this movie deals with siblings that are a bit too close, but I didn't know and hence it gave me a bit of a start when they started being overly familiar with each other in a not so modest way. Could be interesting and quite down my alley of unmentionable topics, but the acting isn't very good and the menstruation scene in the bath was a bit... unsavory.
I watched Constantine for the fourth time on Sunday. Although Tilda Swinton's rendition of Gabriel is worth the watch, the movie is _not_ all that good. Anyway, this was the first time I noticed that APC's Passive is on the soundtrack, and it made me a little confused as it doesn't really fit in there. Oh, and Gavin Rossdale plays one of the demons. I've never reflected on that before either. Cute, that one, and I especially like the sleeziness with which he delivers his "finger-licking good".
Matchbox 20 made a brief re-appearance in my life this weekend as I listened to their More Than You Think You Are over a couple of days. I had a massive crush on Unwell back when it came out, and Downfall is also worth a listen. It's a pity Rob Thomas doesn't quite live up to his potential solo.
Life, ladies and gentlemen, can not even be said to be good right now. It's as close to perfection as I think it gets. The picture above of Tiia, Scott and Dave pretty much sums it up, I think :)
"Your voice it keeps pursuing me,
and I should have acted differently, I know."
Minor Majority - Come Back To Me (Reasons To Hang Around, 2006)